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It was the best film experience of my life.” “We just had no idea if it was going to work, and we just came together as a little tribe and went for it,” Kirby said. The team shot the scene during the film’s first two days on set, with two takes a day.

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Kirby said the team was determined to show “birth in all its glory, in its difficulty, and its pain, and its horror and its majesty.” She added, “I knew that I had to understand every minute of what labor was like,” eventually shadowing an obstetrician in a labor ward and even watching a full birth during the course of her preparation. Kirby confessed to feeling more scared by the possibility of doing “a birth that was edited and chopped up because, in a way, you’d have to get yourself into different stages of labor while cutting, going for a break, having lunch or whatever.” The continuous take, Kirby said, aided in their “intention to make it as authentic as possible.” It’s a harrowing opening that drops us squarely into their dynamic.

Oscars 2023: Best Original Screenplay Predictionsĭuring a recent virtual post-screening Q&A hosted by Netflix, Kirby shared how important the film’s ambitious 23-minute opening sequence was to her process of getting into character.

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Sean, meanwhile, goes on his own journey inward and out of control as the pair try to pick up the pieces, even as they are rarely moving in the same direction. Martha also has to answer to her domineering mother, played enormously by Burstyn in another career-topping turn of many. Martha spirals into a messy, yearlong odyssey of grief, often pained discovery while also haunted by memories of what went wrong with the now publicly vilified midwife (Molly Parker), who she must face in court. Martin Scorsese executive-produces this gritty and hard-edged examination of loss centered on Martha (Kirby) and Sean (LaBeouf), a Boston couple reeling after a home birth ends in tragedy. Starring Vanessa Kirby and Shia LaBeouf as a couple grappling with the unimaginable and with stellar supporting turns from the likes of Ellen Burstyn and Sarah Snook, the drama launches on Netflix beginning January 7, 2021. “ Pieces of a Woman,” the English-language debut of director Kornél Mundruczó and written with his wife Kata Wéber, stunned the fall festival circuit earlier this year, playing at Venice and Toronto.